A poll on the MobileRead forums asked how respondents dealt with DRM on e-books: by not buying books with DRM, buying books with minimally restrictive DRM, buying encrypted books and then breaking the DRM, and so on.

The poll is nonscientific with a very small sample, a sample comprised of people who know and care enough about e-book reading to have sought out and participated in a forum about it. Nonetheless, it is interesting that among these people in the know, 48% of those who answered (80 out of 166) as of this writing state that they break the DRM. The next most popular answer, not buying books with DRM, only got 20%.

Although the poll does not support drawing conclusions about most e-book consumers, what it says about the well-informed ones is interesting: almost half of them think little of violating the Digital Millennium Copyright Act for their own convenience.

For those who know how to get around it, DRM is no longer anything more than a speedbump. And the know-how can be found in just a few minutes of Googling. There is hardly even any risk to those who do it—nobody is going to know that you cracked the copy protection on your e-books in the privacy of your own home.

It just goes to show what I have been saying for some time now: There is no longer any point at all to putting DRM on e-books.

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TeleRead Editor Chris Meadows has been writing for us--except for a brief interruption--since 2006. Son of two librarians, he has worked on a third-party help line for Best Buy and holds degrees in computer science and communications. He clearly personifies TeleRead's motto: "For geeks who love books--and book-lovers who love gadgets." Chris lives in Indianapolis and is active in the gamer community.

2 COMMENTS

  1. As the person who started the poll in question, I was rather shocked by the high numbers of people who broke the DRM. My personal preference is essentially a boycott on publishers who use DRM’d materials. Between free sources and non-DRM’d books, there is plenty go keep most readers busy for the rest of their lives. Six months or a year, I would hope, would be enough to show the publishers that they are only hurting themselves by using DRM.

    One of the thing that worries me most about DCMA and the Sonny Bono Copyright Extension act is that it is causing many to develop a very casual attitude about the real needs and benefits of copyright (When copy right is properly limited). I personally feel properly limited copyrights would allow most authors to benefit as well as the public– certainly there is no need for copyrights to extend 70 years after the death of the author.


    Bill

  2. It rather reminds me of an excerpt from one of Thomas Macaulay’s speeches to Parliament, speaking of a law that would have lengthened copyright terms beyond what he felt were proper:

    I will only say this, that if the measure before us should pass, and should produce one-tenth part of the evil which it is calculated to produce, and which I fully expect it to produce, there will soon be a remedy, though of a very objectionable kind. Just as the absurd acts which prohibited the sale of game were virtually repealed by the poacher, just as many absurd revenue acts have been virtually repealed by the smuggler, so will this law be virtually repealed by piratical booksellers.

    At present the holder of copyright has the public feeling on his side. Those who invade copyright are regarded as knaves who take the bread out of the mouths of deserving men. Everybody is well pleased to see them restrained by the law, and compelled to refund their ill-gotten gains. No tradesman of good repute will have anything to do with such disgraceful transactions. Pass this law: and that feeling is at an end. Men very different from the present race of piratical booksellers will soon infringe this intolerable monopoly. Great masses of capital will be constantly employed in the violation of the law. Every art will be employed to evade legal pursuit; and the whole nation will be in the plot.

    On which side indeed should the public sympathy be when the question is whether some book as popular as Robinson Crusoe, or the Pilgrim’s Progress, shall be in every cottage, or whether it shall be confined to the libraries of the rich for the advantage of the great-grandson of a bookseller who, a hundred years before, drove a hard bargain for the copyright with the author when in great distress?

    Remember too that, when once it ceases to be considered as wrong and discreditable to invade literary property, no person can say where the invasion will stop. The public seldom makes nice distinctions. The wholesome copyright which now exists will share in the disgrace and danger of the new copyright which you are about to create. And you will find that, in attempting to impose unreasonable restraints on the reprinting of the works of the dead, you have, to a great extent, annulled those restraints which now prevent men from pillaging and defrauding the living.

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